Kim Popa – Executive Director/Co-Founder
Kim has studied dance for 30 years and graduated summa cum laude with a BFA in theatre and dance from Northern Kentucky University. Popa is a professor at the Art Academy of Cincinnati, teaches dance classes at The Carnegie, Springer School and Center, SCPA, and multiple dance workshops around the tri-state region. Popa danced at the CrisisArt Festival in Arezzo, Italy in 2014, the Sibiu International Theatre Festival in Sibiu, Romania in 2007, and performed in multiple NKU mainstage productions and modern dance concerts. In addition to teaching and performing, Popa is the Executive Director, co-founder, and performing member of Pones Inc. Beyond Pones Inc., she has choreographed for multiple award-winning productions at NKU, New Edgecliff Theatre, and Know Theatre. She is a trustee on the board of OhioDance and serves as a “big” for Big Brothers Big Sisters, and has a passion for art and volunteerism in many forms.
Thomas McLaughlin – Marketing
Thomas is also the Director of Sales & Ticketing Services at Cincinnati Ballet. He holds a Master of Business Administration and is a candidate for a Master of Arts in arts administration from the University of Cincinnati College-Conservatory of Music. He has also worked at ArtsWave, Know Theatre, and New Stage Collective. He continues his work with Pones Inc. because he loves the way Pones can connect movement to everyday living.
Josh Neumeyer – Secretary/Treasurer
Josh brings a variety of experience to the board of Pones, Inc., having earned a BA in organizational communication and a Master of Public Administration degree with certification in nonprofit management. He has 6 years of educational theatre experience, combined with 12 years of work in higher education administration and 15 years of freelance stage management. He has worked with several theatre and dance companies in Greater Cincinnati in various venues, and has a strong working knowledge of the production process. He also has training in the management of nonprofit organizations, and one year of experience as executive director of a small professional theatre company.